I was first introduced
to poet Anaïs Duplan
earlier this year
through the ongoing interview
series on Divedapper.
After soaking in
that insightful conversation,
I grabbed their chapbook,
which was released
in the spring
of last year.
I was instantly floored
by the strong voice
and surreal lyricism
found throughout.
Showing no signs
of slowing down
following their heroic
debut collection,
and with plenty
Duplan is already back
with their newest
poetry collection,
the 2017 chapbook
Mount Carmel & the
Blood of Parnassus.
Released back
in September through
Bloomington, Indiana's
Monster House,
the open diary
of familial struggles
is told in equal
parts aggression,
sharp lucidity,
and hallucinatory revelation.
In 'I Find Myself Exhausting,'
they refer to someone as
“a version of me
without the shot wounds.”
Switching the page color
from black to white,
from boxed poetry to freeverse,
from love songs to tearful dreams,
this is a whirlwind
of a collection
that will make you feel,
make you reflect,
make you revisit,
and then make you feel
all over again.
Duplan is two for two.
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